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Aach,H.
On the Use and Phenomena of Fluorescent Pigments in Paintings,
Leonardo 3 135 (1970)
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Bandt,
Ros. Sound Sculpture. Fine Art Publishing, Sydney 2001 |
| |
Baschet,
Francois and Baschet, Bernard. Sounds Shapes, public Participation,
Education. Leonardo 20, 107, 1987 |
| |
Batman.
A Mural for 1000 Years. The Bulletin. May 29, 1965 |
| |
Benko,
Nancy. Art and Artists of South Australia. Lidums. Adelaide
1969 |
| |
Benyon,
Margaret. Holography as an Art Medium Leonardo Vol. 6 No. 1
Pergamon Press. UK 1973 |
| |
Bonython,
Kym. Modern Australian painting, 1950-1975. Adelaide , Rigby,
1980 |
| |
Brill,
Louis M. Wavefronts Theatre of Performing Lights: On Light Shows with
Music and Dance, Leonardo vol 13 1976 |
| |
Burke,
Joseph et al. Modern Australian Painting and Sculpture. Bonython,
Adelaide. |
| |
|
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Davidson,
Ian. Art Theatre and Photography, 1999 Davidson |
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Delihas,
Neva. Kinetic Sculpture: Laser and other light sources in Plexiglass
Constructions. Leonardo Vol. 9 Pergamon Press. UK 1976. |
| |
Doubek,
Jan. Applications of Laser to Kinetic Art for the Theatre and Cinema.
Leonardo Vol. 10 Pergamon Press. UK. 1977 |
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Dramatic
Music, Australian Music Centre, Sydney 1977 |
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Elias,
David. The man who wants to unbottle sunlight. The Australian,
12/10/1977 |
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Fahr-Becker,
Gabriele. The Art of East Asia. Konemann, Cologne 1998 |
| |
Fontana
Bill. The relocation of Ambient sound: Urban Sound Sculpture Leonardo
20, 143, 1987 |
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Gleeson,
James. Masterpieces of Australian Painting.Melbourne, Lansdowne
Press.1969 |
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Gleeson,
James. Decorative, Fascinating. The Sun. August 1st 1962. P 32 |
| |
Gorglione,
Nancy. Light Shows by Laser Affiliates, San Francisco, Calif. Leonardo,
15,294,1982 |
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Hackett,
Earle. Electronic Painting: The Images of Ostoja-Kotkowski. Meanjin
Vol 25, No 4, Melbourne University, 1966 |
| |
Henderson,
Keneth R.. The Medium is Not the Message.Hemisphere vol 15,
No. 12 December 1971 |
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Henry,
Pierre. Variations pour une porte et un soupir. Premiere 27th June
1963. Philips Prospective 21 siecle series. Gravure Universelle 836.898
DSY |
| |
Hero,
Barbara. Drawiings Based on Laser Lissajous. Figures and the Lambdoma
Diagram 11,301,1978 |
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Image
in Sound and Story, Australian Photography, August 1963 |
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Jicinsky,
Bedrich. The Studio of Word, Sound Movement of the Janacek Academy
of Music and Dramatic Art. Brno, Czechoslovakia Leonardo Vol
5 Pergamon Press.1972. |
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|
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Kellein.
Nam June Paik: Video Time-Video Space (New York, NY:
Abrams, 1998) |
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Klein,
Adrian Bernard. Colour Music, The Art of Light, Crosby Lockwood,
london. 1926 |
| |
Kluver,
Billy. Letter to the editor, New York Times, East Coast Edition, August
29th 1999 |
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Lieblich,
Russell. A Plexiglas Object Illuminated by VIsible and Infrared Radiation
Components of a Laser Beam. Leonardo Vol 10 Pergamon Press
UK. 1977 |
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Land,
Richard I., Non-verbal 'discussion' using music and kinetic painting.
Leonardo, Vol.1, pp121-123. Pergamon Press, Great Britain. 1968 |
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McCredie,
Andrew. Ed. From Colonel Light into the Footlights, Pagel Books,
Adelaide 1988 |
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McCulloch,
Alan. Drawings of Ostoja-Kotkowski. Meanjim No 3. Melbourne
University |
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McCulloch,Alan.
Encyclopedia of Australian Art. Richmond, Vic., Hutchinson Australia. |
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McGregor,
Australian Art and Artists in the Making. Thomas Nelson |
| |
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David (ed). Patrick White, Letters, Random House, Sydney. 1994 |
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Marr,
David, Patrick White, A Life. Random House, Sydney. 1991 |
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Miles,
John. Ostoja - Portrait of a Space-Age Artist, The Advertiser,
Adelaide August 9th 1969. P19 |
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Millar, Ronald.Art and Australia Vol 2 no 3 Dec 1964 P177 URE
SMITH PUBLICATION |
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Music
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Press |
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|
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Niederer,
Susanna. Dreiklang: Word, Sound, Image. Leonardo Vol 30 Number
3 1998 The MIT Press p207 |
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|
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Ostoja-Kotkowski,
Stanislaw The Medium Is Mot The Message. Hemisphere Vol 15
No.12 December 1971. p22 |
| |
Ostoja-Kotkowski,
J.S.. Audio-Kinetic Art: The construction and operation of my 'Laser-Chromasonic
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Britain. |
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Ostoja-Kotkowski,
J.S.Transcription De Berge Tape No 448: Australian National Library.
Canberra 17th December 1969 Adelaide p5075 |
| |
Ostoja-Kotkowski,
J.S. Audio-kinetic Art with Laser Beams and Electronic Systems Leonardo
Vol 8 Pergamon Press UK. 1975 |
| |
Ostoja-Kotkowski,
J.S.Letter to Mr Bruce Adams, Power Institute of Fine Arts, University
of Sydney June 12, 1972. Mortlock collection. |
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Oxford
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| |
|
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Pach,
Susanne. Report on the ARS Electronica 80 Symposium held at Linz,
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| |
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Rawlins, Adrian. Beyond Painting. Announcer February 1965,
Philips, Netherlands |
| |
Rawlins,
Adrian. J. S. Ostoja-Kotkowski: Explorer in Light. Art in Australia
Volume 19 Number 3 Autumn 1982 |
| |
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Martin. Mixed Media: Holography Within Art. Leonardo. Vol 20
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| |
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David, Propositional Music: on emergent Properties in Morphogenesis
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|
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R. Murray. The Tuning of the World, Alfred A Knopf, New York,
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| |
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Nicolas. Sonic and Visual Structures: Theory and Experiment. Leonardo
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| |
Sidenius
W. et al. Lumia Kinetic Art with Music: My Theory of Light Leonardo
Vol. 15 Pergamon Press. 1982 |
| |
Stein,
J. Experiences Artistiques a Partir du Laser, Leonardo 3, 331
(1970) |
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|
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Waddington
C.H. New Visions of the World. Leonardo Vol 1 No 1 January
1968 Pergamon Press UK |
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Wagler.S.R.
Sonovision: A Visual Display of Sound, Leonardo 3, 443 (1970). |
| |
Wannan,
Bill. A Good Jolt. The Bulletin, Sydney. June 23, 1962 |
| |
Whiteoak,
John. Playing Ad Lib, Improvisatory Music in Australia 1836-1970,Currency
Press, Sydney. 1999 |
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Wilhelm,
Richard. I Ching, or Book of Channges.Arkana Penguin Books,
London 1989 |
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Wilhelmsso,
Hans. Holography: A Bnew Scientific Technique of Possible Use to Artists
1,161,1968 |
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Mortlock
Collection, State Library of South Australia Archival Database, PRG919 |
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| Many of the documents and information that was used in this
study was undocumented at the time of the study and permission
was kindly given by the Mortlock Collection of the State Library
of South Australia and by the executors of the Ostoja-Kotkowski
estate, for its inclusion. |
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PRG 919:
Ostoja-Kotkowski, Josef Stanislaus, 1922-1994 Date/s Summary
The group consists of files relating to J.S. Ostoja-Kotkowski's
life and art; papers, programs, pamphlets, photographs, slides,
negatives relating to his theatre designs, sculptures, murals,
BP star, art, film, laser shows, computer graphics, stained
glass and photography; computer disks; original art works;
a theatre set model; models of sculptures; papers relating
to his immigration and his relationship to his Polish family
and the Polish community; films, videos and audio tapes.
Title: Josef Stanislaus Ostoja-Kotkowski :
Original artwork (oil painting); artwork (pencil sketch);
artwork (portrait); mixed artwork; photoprint; negative (acetate);
slide (acetate); cinefilm; videotape; book; brochure; card
(etc); catalogue (exhibition); leaflet; newspaper cutting;
poster; banner; handwritten; typescript; photocopy; mixed
realia; sound tape (reel); disk (5 1/4").
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PRG 919/1
J.S. Ostoja-Kotkowski. Typescript; handwritten; photoprint;
newspaper cutting
PRG 919/3/17.Barry Stern exhibition Sydney [sound recording]
PRG 919/2. Joseph Stanislaus Ostoja-Kotkowski. Films made by
J.S. Ostoja-Kotkowski
PRG 919/2/1 Painting 1950-1955 South Australia [motion picture]
PRG 919/2/2Francis Roy Thompson [motion picture]
PRG 919/2/3,Architectural exhibition [motion picture] 1956
PRG 919/2/4.Deserted landscape [motion picture] 1956
PRG 919/2/5 Quest of time [motion picture] 1960
PRG 919/2/6 Hans Heysen I `The Cedars' [motion picture] 1960
PRG 919/2/7 Hans Heysen II Hahndorf [motion picture] 1960
PRG 919/2/9 Translucencies [motion picture] 1956
PRG 919/2/10 Transfiguration [motion picture]
PRG 919/3/1. Electronic Music Seminar, Melbourne, 1971, Part
I [sound recording]1971
PRG 919/3/2. Electronic Music Seminar, Melbourne, 1971, Part
II [sound recording] 1971
PRG 919/3/4 Synchronos '72. `Spotlight' item of an interview
with Don Banks and JS Ostoja-Kotkowski [sound recording] 1972
PRG 919/3/5 Sound and Image 1968 [sound recording] 1968Sound
and Image Performance copy of sound and text. Performed at the
Adelaide Festival of Arts and included the Ray Bradbury science
fiction play `The Veldt'. It was the first time a laser beam
was used in a performance.
PRG 919/3/7 Kinetic and electronic art [sound recording] Lecture
given by JS Osotja-Kotkowski at the Power Institute University
of Sydney on kinetic and electronic art. 1968
PRG 919/3/15 Poland's arts and folklore. Union Hall University
of Adelaide. 1000 years of Christian Poland II [sound recording]
PRG 919/3/20 Sound and image. The Oldest Continent [sound recording]
Narrated by Les Dayman, Valda Ferris, Daphne Gray, Jack Hume,
and Ray Wheeler.1970
PRG 919/3/23 The Veldt, Sound and Image [sound recording]1968
PRG 919/3/25 Orpheus I [sound recording]1960
PRG 919/3/28 The Mire, Sound and Image 1966 [sound recording]
Alexander Hay1966
PRG 919/3/37 The excursions of Mr Broucek by Leos Janacek [sound
recording] 1974
PRG 919/3/44 Sound samples. Studio of electronic music Utrecht
Holland 26 May 1967 [sound recording] 1967
PRG 919/3/45 Henk Badings recording of a rehearsal [sound recording]
1967
PRG 919/3/55 Interview with JS Ostoja-Kotkowski by the ABC in
Perth [sound recording] 1970
PRG 919/3/56 Interview with JS Ostoja-Kotkowski by Ann Dunn
[sound recording] 1966
PRG 919/3/57 Interview with JS Ostoja-Kotkowski by N Ferris
[sound recording]
PRG 919/3/58 Interview with JS Ostoja-Kotkowski Radio Australia
ABC [sound recording]
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